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Loop articles for July and August
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---
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layout: post
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title: "Looping: July 2025"
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tags: music looping
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series: looping
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---
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Here are the loop jams I captured from the month of July. Overall this month didn't come as naturally as some. A lot of loops were a struggle, and I didn't get as much time with the guitar as I'd like. But I soldiered through regardless, because… that's what practice looks like.
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<!--more-->
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| The embedded clips below all show the same thumbnails, but I assure you they are each set to jump the right unique moment. Full video [here](https://youtu.be/r2Jee9Dy8T8).
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### Loop 1
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/r2Jee9Dy8T8?si=oEgQB-mWIHciZiWB&start=0&end=47&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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Using the "bit crush" mode on my new [Dark Star Stereo](https://oldbloodnoise.com/pedals/p/dark-star-stereo) to get that low bitrate gargle that makes me think of [Disasterpeace on the FEZ soundtrack](https://open.spotify.com/album/53t27Vjh6flQYgzXouSrX2?si=XpvxD3f5S3CsazUqb-phog). There are al of chiptune-like tracks that use that I like. I'm still trying to figure out how to harness it.
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### Loop 2
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/r2Jee9Dy8T8?si=oEgQB-mWIHciZiWB&start=47&end=103&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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Leaning into starting with the bass and also vibing with the bass drum rhythm. For a rhythm layer on top… hyper reverb warble tones? Again playing with the Dark Star trying to have a bit crush follow the lead. I'm not sure it works.
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### Loop 3
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/r2Jee9Dy8T8?si=oEgQB-mWIHciZiWB&start=103&end=153&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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This one didn't come together until I plugged in that rhythm on the bass. Arguably I still didn't know what to do with it, but it definitely had a beat to it.
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### Loop 4
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/r2Jee9Dy8T8?si=oEgQB-mWIHciZiWB&start=153&end=231&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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Again, trying to make sure my bass rhythm locks in with the kick drum. I really like taking the two harmonizing bass lines together. That gave it the sense of self enough to then let the final guitar melody on top be… sweet? It sounds sweet to me.
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### Loop 5
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/r2Jee9Dy8T8?si=oEgQB-mWIHciZiWB&start=231&end=306&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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An exercise in what happens when you have something "stationary" and then put chord motion on top of it. I think I had been listening to some Pumpkins recently, because this is really going for wailing and sentimental distorted guitars. My daughter actually came in while I was playing to give me a hug, which was super sweet, but then mid-hug she remembered I was recording and sheepishly exited very quickly. I cut that out of the recording, but that's what I'm smiling about.
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### Loop 6
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/r2Jee9Dy8T8?si=oEgQB-mWIHciZiWB&start=306&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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The core part reeks of "random noodling I would do when sitting down to a guitar". There's just a type of thing I'll probably default to playing, and it's pretty much always something like this. I do dig the large delay with the single note slides.
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---
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layout: post
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title: "Looping: August 2025"
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tags: music looping
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series: looping
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---
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Here are the loop jams I captured from the month of August. This was a crazy busy month so I'm really proud of the fact that I kept the practice going.
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<!--more-->
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| The embedded clips below all show the same thumbnails, but I assure you they are each set to jump the right unique moment. Full video [here](https://youtu.be/RCaN_rjt0aA).
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### Loop 1
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=0&end=97&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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I have a trombone. I don't particularly know how to play the trombone other than the basics. But it's a fun instrument. And in this moment it felt like the right thing to bring out. Why is there a weird stain on my Hollow Knight shirt? No clue, but I can't stop looking at it. Just like I couldn't stop getting into a cycle of playing that melody over this loop.
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### Loop 2
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=97&end=169&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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I love playing with my pedalboard and an electric guitar. But... sometimes it's great to set up a mic and keep it to acoustic instruments. First the nylon guitar that I learned on as a kid. Then the acoustic bass I got from a used shop in college. And then the bouzouki I got this past summer in Greece. It's not often that I use the bouzouki for the final lead layer, but I think this jam slaps.
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### Loop 3
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=169&end=228&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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An example of where the interplay between the rhythm guitar and bass was essential to the jam having any character. I really liked how the slow bends sounded over this, combined with some delay so you get blend between the dissonant tones.
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### Loop 4
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=228&end=306&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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I was looking for something simple with simple slow movement. Thus a simple distorted line and then… nothing else? Yeah I guess no other layers. Various warbly tones played on top of that.
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### Loop 5
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=306&end=373&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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This may be the loop I had the most fun with in this set. Super simple crunchy guitar as the start, then some percussive organ from my [tiny keyboard](https://reverb.com/p/yamaha-reface-cp). The bass emphasizes the funkiest. After which I reached for the trumpet. In trying to put a couple different horn layers to harmonize, at some point I messed up the undo and committed something… not quite right. At that point, with 4+ other layers underneath it across various instruments… there's no going back.
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### Loop 6
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=373&end=445&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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I recently got a [Dark Star Stereo](https://oldbloodnoise.com/pedals/p/dark-star-stereo), and I've been trying to make it work for me. So far, if I'm honest… I might actually prefer the (less expensive) [Afterneath](https://www.earthquakerdevices.com/afterneath). But I'm trying to figure this pedal out. This loop is an example of trying to lean into its dreamy overwhelming reverb. Most of the structure comes from the bass.
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### Loop 7
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=445&end=507&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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My [loop pedal](https://www.boss.info/global/products/rc-10r/) can do an A section / B section (e.g. verse/chorus), but I skip over it for most of my quick and dirty loops. The downside is that I don't end up practicing transitions as much if I stick to one endless drone. This one… it's fine.
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### Loop 8
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=507&end=619&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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I really like this one. Tremolo chord sequence, but then the bass gives it a lot more motion. And of course a bit of organ is always nice and lush. I could play over this one on loop for a very long time (and I'm pretty sure I did).
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### Loop 9
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=619&end=724&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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Time to cycle back to the acoustic. A bit of electric bass, but that's all good (I have an acoustic bass, but my electric is new and I'm really bonding with it). Recording-wise I'm trying to get both the mic off the guitar and mix with the line in so I get a more full sound. Tricker to get right than it sounds.
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### Loop 10
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<iframe class="embeddedVideo" src="https://www.youtube.com/embed/RCaN_rjt0aA?si=w0nO6m9qk5EoevIo&start=724&rel=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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Whether I start with the bass or the guitar changes the feel of the loop to me, but if I recall I did at least try the layers together before hitting record. But I think the section I sampled for the final play over didn't quite capture the fun I was having with some long analog delay. A far cry from that The Edge style delay timing, but that's what I was trying to play around with.

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